Drawing master class for preschoolers on the topic: Winter

"Trees in the Snow" Non-traditional drawing with children using glue stained glass technique. Master class with step by step photo.

Shishlakova Elena Yuryevna, educator of the highest category, OSK children's home, Ostrogozhsk, Voronezh region.
Description: This workshop is for children preschool age, teachers of additional education, educators of preschool educational institutions and creative people.
Target: to introduce children to the non-traditional drawing technique "glue stained glass".
Tasks:
- teach children to make stained glass on paper using PVA glue;
- learn to apply glue along the contour of the pattern with a uniform thin line from a bottle with a metered spout;
- continue to teach children to work with paints;
- to form the ability to convey in the drawing the features of the winter landscape;
- to consolidate the skill of depicting snow-covered trees;
- develop a sense of composition, creative imagination, hand-eye coordination;
- to cultivate accuracy in work, interest in performing creative tasks.

Brief educational information.
stained glass is special kind monumental and decorative art. Interesting in itself, it acquires great expressiveness in combination with other species. fine arts especially with architecture. His past is rich, his prospects are boundless, his creative possibilities are inexhaustible.
stained glass(fr. vitrage - glazing, from lat. vitrum - glass) - a work of decorative art of a fine or ornamental nature made of colored glass, designed for through lighting and designed to fill an opening, most often a window, in any architectural structure.

The bewitching beauty of glass, playing with colors in the sun's rays, captivated people more and more every century and moved creators to improve their craftsmanship. Transparent paintings adorned temples, palaces and ordinary dwellings. And even more than that, the ancient technique of stained glass - a mosaic set of curly pieces of glass - began to be actively used for furniture, fireplace screens, screens, mirrors, musical instruments, jewelry ...

Preliminary work: you need to tone the paper.
For a more colorful drawing of a winter landscape, the paper must be tinted. You can simply use paint (gouache, watercolor) and a brush (preferably wide) to color the paper, choosing the desired shade.
When doing my work, I used an unconventional way of toning paper. To do this, you need to take a landscape sheet or drawing paper, paints, a brush, water and polyethylene. Paint over the paper.
It is important that the ink on the paper is wet.

Then we cover the paper with polyethylene. You can slightly rotate the polyethylene on the paper to form small wrinkles and irregularities. After that, leave the paper until the paint is completely dry.

Then we remove the polyethylene and see what we got.

Here is a tinted paper can be used for creativity.

In my work, I use another version of the non-traditional method of paper tinting.
For this, we will also need: a landscape sheet or drawing paper, paints, brushes, water and polyethylene.
We lay out polyethylene on the table and apply paint on it. You can use different shades of paint to create a more saturated background.

Put a piece of paper on top and press it firmly. We tuck the edges of the polyethylene on all sides and turn the paper over. Now we try to smooth the paint with our palms.

When the paint dries, you can remove the polyethylene.
This tinted paper will later come in handy for children's creativity. I advise you to put the paper under the press so that the edges are even.

Equipment:
- tinted paper;
- a simple pencil;
- PVA glue (bottle with a dosed spout);
- brush;
- water;
- paints.
Drawing with non-traditional materials gives the most unexpected, unpredictable options for artistic representation and a tremendous boost to children's imagination and creativity.
Adhesive pictures "stained glass"- this is an unconventional way of painting using PVA glue. With PVA glue (from a bottle with a metered spout) a contour of the future drawing is applied to a sheet of paper (you can first make a contour with a simple pencil), time is given for the glue base of the drawing - a stained glass window to dry completely, then the space between the contours is painted with the colors you need. Adhesive borders do not allow the paint to spread and mix. Rule - the adhesive contour must be dry.
Safety precautions when working with PVA glue.
1. Work carefully, trying not to drip glue.
2. Try not to get the glue on clothes, face and especially in the eyes.
3. If glue gets into eyes, rinse well with water.
4. After work, close the adhesive tightly and remove.
5. Wash your hands after work.

We draw trees, snow, the sun with a simple pencil. The plot of the picture is adapted for preschool children.

We take a bottle of PVA glue and begin to carefully draw along the contour of the image. You need to try to glue lay down in a uniform line.

The glue needs to dry well. After the glue contour is completely dry, we begin to paint the drawing.

Drawing on tinted paper is a very effective way of painting and drawing.

Tinted paper, as it were, “collects” the drawing, giving it an initially certain mood. For example, if you take ivory or gray paper, arm yourself with ink, white and a couple of watercolors (for example, green and blue), you can depict a great many pretty posters with cornflowers or forget-me-nots. The tinted paper background will set its own, so it is not necessary to set it specifically. You can, of course, cast a light shadow. and that will be enough.

In the same way, a tinted canvas or cardboard facilitates the work of the artist when depicting landscapes and plot scenes, fireworks and animalistic sketches.

Usually, a tinted base is painted with white, pastel, gouache or oil. The watercolor is transparent, the result will be ugly.

“Coping” with white paper is more difficult, it has less completeness, it requires more investment. However, drawing on tinted paper is generally not considered painting due to its limited spectrum. Although, for many tasks it does not matter. The recipient of a postcard, for example, is completely indifferent to whether it refers to classical painting or not. The main thing is that shemade with soul and beautiful.

Spray

Essence: what kids love is splashing. And doing it with paint is much more fun, and even with meaning! What do you need: paper, liquid paint, gouache, old toothbrushes. We paint a sheet of paper with gouache, you can mix different colors, dry it, iron it through a clean sheet of paper, then spray it with white, yellow, red paints, dry it again. we iron and carry the finished sheets to school on the iso. What happens: using a brush, “spray” the paint over the surface. You can apply several layers - both contour images and paints.

Many children's works require a beautiful background, for example, for applications from dried plants. We offer several ideas on how to make an interesting background quickly enough with your own hands, without any special materials and tools. Take your pick: painterly streaks or splashes, vintage paper, or even leather. Children's delight is guaranteed.

We draw backgrounds for children's applications

1. Watercolor background with picturesque stains

The easiest way is to wet a sheet of white paper and then immediately apply paint. On wet paper, watercolor will spread and blend beautifully.

This way of creating a background has many options:

• you can sprinkle more wet background with salt - you get picturesque stains;
• cover with a film and wrinkle with your hands - you will get creases;
• drip alcohol from a pipette - you will see something similar to soap bubbles.

Do not be afraid to experiment with improvised materials, watercolor is a very grateful material for children's creativity.

2. Background of splashes or blots

An interesting background will turn out if the paint is sprayed. Pick up paint on a wide flat brush, and then just tap the brush with your finger. Drops will artistically fly onto the leaf. There are also many options: you can spray with a small or large brush, even a toothbrush (apply paint and spend with a knitting needle or comb); can be sprayed in one color or several; can be sprayed through a stencil. And if you need blots, just add more water to the paint.

3. Imitation of antique paper

Crumpled paper also makes a great background. We crumple the paper, hard enough. You can spray it with a little water. Then straighten and iron with an iron (through a layer of paper). Now we paint with watercolors, it can be in one color, it can be in several. The less water you take, the brighter the pattern will be. After everything is dry, the background is ready for further creativity.

If you paint the workpiece with tea leaves, you will get an imitation of old paper. Such paper is good for "ancient" scrolls and letters, applications from natural materials.

4. Background "under the skin"

I never thought that with your own hands you can make a believable background “under the skin”. But it is so. Tightly paint over the paper with gouache, preferably a natural color. While it dries, we crumple the carbon paper, then straighten it and apply the coloring side to the already dried background. We cover the top with a blanket and iron it with an iron. And you can look at the result. If the veins are not enough, you can still crumple the carbon paper and repeat the procedure.

5. The simplest background

Ordinary sponges for washing dishes (new, of course) can also decorate paper well. Dilute paints of the desired colors (gouache or watercolor) in bowls, dip sponges in them and simply print until you like the result.

6. Big background

It happens that the background needs a large (or even very large), and there is also a voluntary barefoot assistant. Then apply paint of different colors, not particularly worrying about accuracy. And then invite the baby to trample on the sheet. In this case, it is better to take finger paints, and lay cellophane under the future background. There will be sacrifices, but the background will also come out well.

And, of course, before proceeding, any technique for creating a background needs to be rehearsed.

Today we will draw a small study with tits on tinted sketch paper. Drawing on tinted paper may be easier for some people because the background is not white and the drawn object on it already has some depth of tone.
Here we will draw these titmouses:

For drawing, we need sketch paper, watercolor or colored pencils (white, yellow, olive, blue-gray, black), a pencil and an eraser. First of all, with a simple pencil, we will sketch the tits, which we will place next to each other (you can choose your location). Try not to use aids here. The shape of tits is quite simple, so try to draw a freehand outline.

Next, take a white pencil and paint over all the white and light areas, including on the breast and wings. With a yellow pencil we pass along the back and chest, trying to convey small feathers. Next, on the back and bottom of the abdomen, add a slightly olive color.

We take a blue-gray pencil (you can just blue, but use a thin layer). We pass along the feathers on the tail and wings, as well as a little along the back and abdomen. We draw slightly the contours of the legs.

Well, in the final stage, we take a black pencil and paint over all the dark areas, feathers on the wings, eyes, beak and details on the legs. As you can see, the details here are not drawn as hard as I did in many previous tutorials. Nevertheless, despite this, we managed to transfer the image of a tit to paper.

PRACTICAL AID “PAPER TONING TECHNIQUES” (BACKGROUND)

Explanatory note.
Visual activity using non-traditional techniques and materials contributes to the development of fine motor skills, tactile and aesthetic perception, visual skills and abilities in children.
Using non-traditional materials and techniques in their work, students receive information about the diversity of the world around them, they develop imagination, thinking, speech, and creative initiative.
The manual offers techniques for performing work on visual activity using non-traditional materials.
The manual is addressed to primary school teachers, additional education teachers, preschool teachers, parents.

Printing with plant elements.
Use heavy white paper. With a large brush, with thick gouache, paint the plant and attach it to a sheet of paper, put a thin sheet of paper on it and iron it with your hand. Carefully remove the thin sheet of paper and the plant by the cutting. Do this several times until the entire sheet is painted over.

Toning with cling film.
Moisten a sheet of paper with a sponge, paint with a sponge, paint with watercolors (no more than 3 colors), preventing it from drying out. Put a film on the sheet (slightly larger in size than the sheet), press it and turn it down with the film to dry. The paper should be thick, the film thin.

Toning with floral or tissue paper.

Moisten a thick sheet of white paper with water using a sponge. Spread pieces of colored flower or tissue paper on a sheet and moisten from above, dipping with a sponge. After a few minutes, remove the paper, you get a colored sheet. When it dries, it can be used as a background for appliqué or drawing with gouache, felt-tip pen.

Printing with embossed fabric, embossed paper or film.
Dye the fabric (paper, film) with paint and put the dyed side on a thick sheet of white paper, covering the sheet completely. Put a sheet of thin paper on top and iron, then remove thin paper and fabric. You can apply several times in pieces, waiting for the previous image to dry.

Toning by poke.
Paint over a dense layer of white paper with a hard brush with thick gouache, using one color or several. When drawing, the brush must be held vertically in relation to the plane of the sheet and make poke-like movements. The less paint on the brush, the better.

Toning with flour paste and paint.
Lubricate a thick sheet of white paper with a paste, then paint while it is wet with a wide hard brush with gouache of different colors and lines. You can first mix gouache and paste in a container, and then paint with colored paste using a sponge with pressure or a hard brush.

Coloring with gouache mixed with PVA glue.
Dilute gouache with PVA glue. Color immediately after thinning with a wide brush or sponge with a clip. When the sheet dries, it will not get dirty.

Toning with a dry brush.
Thick sheet of white paper, wide brush (bristle), semi-dry paint (gouache). Pick up a little paint on the brush and draw lines (strokes) in the right directions with jerky movements.

Foam sponge toning.
Apply one, two or three colors of gouache to the sponge with a brush, the paint should not be too liquid. The sponge can be held with a clip or a large paper clip. Draw with different lines, evenly painting over the entire sheet (for example, waves, lines in different directions, etc.).

Relief painting with wax crayons.
Place a relief fabric (paper) or several different flat relief objects - fabric, paper, dry plants, etc. under a thin sheet of white paper. Hold the paper and draw wide long lines along it with the side of the wax crayon, evenly painting over the entire sheet.

Toning with school crayons.
Use any white paper. Hold the paper and draw wide lines along it with the side of the chalk. Use multiple colors (rainbow, etc.).